

FLESH FOR FRANKENSTEIN. A camp gorefest
starring Udo Kier who sets out to create both a male then a female
human/creature using various body parts that come his way. One scene shows a
guy being decapitated using large scissors! Plenty of gore and some sex and
dark humor thrown in, includes the classic line " To know life Otto, you must
first fuck death through the gall bladder. Directed by Paul Morrissey with help
from Antonio Margheriti.
PIC
FOUR FLIES ON GREY VELVET In Dario
Argento's cool thriller, Michael Brandon plays a musician married to Mimsy
Farmer, who is photographed accidentally killing a man, then gets framed for
murder. He is sent a series of photos showing him doing the killing. No motive
for the blackmail is found. Brandon hires a gay detective to discover the
blackmailer, who gets killed. There are plenty of red herrings and bizarre
murders tossed in along the way to add to the fun, including a laser-beam
camera able to photograph the last image in the eye of a corpse. As usual, a
top-notch score by Morricone. Also stars Jean-Pierre Marielle, Bud Spencer, and
the beautiful Francine Racette. (1971)
FRIGHTMARE Just released from an
insane asylum, an elderly British couple retire to a remote farmhouse, where
Sheila Keith immediately resumes her cannibalistic activities, while Rupert
Davies covers up for her. In addition to knocking off the psychiatrist sent to
check up on them, Keith even enlists her adult daughter (Butcher) in the
service of her perversion. Easily the best of notorious British gore director
Peter Walker's efforts, this film is stylishly directed and contains several
good performances. (1974)
HELL OF THE LIVING DEAD aka CANNIBAL VIRUS. A medical research
project in Papua goes haywire, turning the local work force into flesh-eating
zombies. A commando team is sent in and manages to rescue some journalists en
route. It is discovered that the "zombie plague" was developed to stop the
overpopulation of the world! Bruno Mattei directs as Vincent Dawn. Includes a
well used score by Goblin.
HORROR EXPRESS aka PANIC ON THE TRANS-SIBERIAN TRAIN. This
film has become a favorite in both science fiction and horror genres, and
deservedly so. It's fast-paced, inventive, and wholly entertaining. Christopher
Lee, an explorer and anthropologist, has discovered the frozen body of the
evolutionary "missing link" in China and is transporting it on the
Trans-Siberian Express, circa 1906. En route, the ape-man defrosts and reveals
himself as an alien that came to Earth in prehistoric times to claim the
planet. The alien is able to absorb the minds of human beings merely by gazing
at them. Unfortunately, the process boils the brain of the victims, causing
their eyes to turn white and bleed, and turns them into zombies. Also stars
Peter Cushing, Alberto de Mendoza, and an amazing Telly Savalas. Directed with
flair and style by Eugenio Martin. (1972)
HOUSE BY THE CEMETERY Another gore fest
from Lucio Fulci, this time set outside Boston, where a researcher (Paolo
Malco), his wife (Catriona MacColl), and their child (Giovanni Frezza) move
into a new house (which, as the title tells us, is next to a cemetery). What
the title doesn't say, however, is that a deranged killer with a penchant for
bloodletting lives in the basement. The crazed scientist, Dr. Freudenstein
(Giovanni Nari), has lived for more than 100 years, thanks to his advances in
cellular regeneration. The only catch is that he obtains his cells from his
victims.He takes them down to his hidden laboratory in the basement of "The
house by the cemetery" where he performs experiments on them and, of course,
eats them in order to stay alive.Meanwhile, the spirits of the doctor's wife
and child roam the halls in search of sloppy seconds. Lots of arterial
spraying, and maggots.Cinematography by Sergio Salvati. (1984)
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HOUSE OF CLOCKS aka LA CASA DEL TEMPO A gang of vicious young
punks break into the house of an elderly couple. While inside they continue to
terrorize and eventually kill the OAP's , this causes the clocks in the house
to stop and eventually run backwards enabling their dead souls to return to
life and exact revenge on their murderers. An interesting effort originally
made for Italian television but deemed too violent to air. Directed by Lucio
Fulci. PIC
HOUSE ON THE EDGE OF THE PARK. David Hess
from LAST HOUSE ON THE LEFT is back as another sicko terrorizing a party of
friends with a straight razor. Stong performance from Hess, who gets his just
rewards in the finale. Hess's co-star is Robert Morghen from Cannibal Ferox and
Cannibal Apocalypse.A sick and mean-spirited film from the director of CANNIBAL
HOLOCAUST, Ruggero Deodato. (1980)
HOUSE OF WHIPCORD.This infamous picture
is perhaps the best known of the Walker-McGillivray collaborations (FRIGHTMARE;
THE CONFESSIONAL) and the most sadistic. More of an exploitation film than
out-and-out horror entry. The plot involves an elderly couple--a retired
magistrate and a former women's -prison warden--who set up their own court in
the countryside, arresting, trying, convicting, imprisoning, and torturing
beautiful young women whose behavior they deem immoral. If seeing girls strung
up by the wrists and whipped is your idea of a good time, then this is for you.
Produced and directed by Peter Walker. Written by Peter Walker and David
McGillivray. Starring Barbara Markham, Patrick Barr, Penny Irving.
(1974)
ILSA, SHE WOLF OF THE SS. The first in the series, stars Dyanne
Thorne as the evil commandant of Medical camp 9. Ilsa says "Once a prisoner has
slept with me, he'll never sleep with another woman", she lives up to this
boast by castrating her lovers the next morning. Female inmates are tortured by
boiling, and eaten by maggots, and killed in more pleasant ways? by superspeed
dildo's. Filmed in a week using the original sets from Hogan's Heroes,
FX by Joe Blasco and directed by Don Edmunds. (1974)
ILSA, HAREM KEEPER OF THE OIL SHIEKS. Is the second in the
series starring Dyanne Thorne, this time Ilsa runs a slave ring in the middle
east. Harem Shieks maim and torture slaves, until the brutalized harem girls
are eventually released and go on an orgy of castration against their
tormenters More sex and gore with exploding penis machines and black lesbian
wrestling. FX by Blasco again and directed by Don Edmunds. (1976)
PIC
ILSA, TIGRESS OF SIBERIA. The first half of the movie is set in
Gulag 14 in Siberia. Here, Ilsa devises grotesque tortures for the prisoners,
feeds their pieces to her pet tiger, and gets friendly with her guards. For the
second half, it is 24 years later and she is running a chain of high-class
whorehouse/dungeons with the emphasis on torture. This action takes place
during the 1976 Olympics. Directed by Jean Lafleur (1977)
PIC
ILSA, THE WICKED WARDEN. Jesus Franco
jumped on the bandwagon and made this one of four exploitation women-in prison
movies he made, to cash in on the infamous popularity of the Ilsa series. Set
in the S. American jungle Dyanne Thorne (again) runs the Clinic of Las Palomas
institution. Inside, women are treated for sexual deviation and political
prisoners are tortured in the basement This scenario gives Franco the
opportunity to show lots of lesbian nudity , violence and even cannibalism.
Greta (Thorne) gets her just rewards in the finale by being torn apart by the
prisoners. (1977)
INFERNO This is the second entry in the
proposed "Three Mothers" trilogy about a group of witches living in a New York
apartment building. The film continues on from SUSPIRIA which was was the first
instalment. It follows a young poet, Rose (Irene Miracle), who has rented a
gothic apartment in Manhattan. The strange-looking building was designed by an
alchemist, and while researching its origins, Rose buys a book written by the
architect. From the book, Rose learns that two similar buildings were
constructed in Rome and Germany--all three built in honor of the Mothers of
Whispers, Darkness, and Tears, evil supernatural beings who rule the Earth.
When Rose is brutally murdered soon after beginning her research, her brother
(Leigh McCloskey), who has been studying in Rome, comes to New York to
investigate his sister's death. Mario Bava, who died in 1980, helped out with
the special effects, including a hallucinatory scene in an upended room full of
corpses that takes place under water. Excellent camera and lighting and music
composed by Keith Emerson. Since the video release in 1982, it has been
re-released with cuts totalling 28secs, most notably the scene of a cat eating
a mouse. (1980)
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I SPIT ON YOUR GRAVE aka DAY OF THE WOMAN.
Tells the unsavoury story of a woman writer who is raped by several lowlifes,
she later gets her revenge and lures each of them to their deaths. Infamous
nasty from Meir Zarchi. (1978)1.8MB
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LAST CANNIBAL WORLD aka THE LAST SURVIVOR
or JUNGLE HOLOCAUST. A group of explorers discover the last tribe of cannibals
in South East Asia and have to fight to survive. One man is taken prisoner and
subjected to bizarre torture and abuse. Made before his classic cannibal film,
CANNIBAL HOLOCAUST, Ruggero Deodato shows he is the king of the "3rd world
cannibal" genre. The most gruelling scene shows the beautiful Me Me Lai split
open from head to toe, disembowelled, and has hot coals poured into her
scooped-out throacic cavity, she is then eaten for good measure. Also known as
Cannibal. (1976)
THE LAST HOUSE ON DEAD-END STREET aka THE
FUNHOUSE. Depraved film about an ex-con and his buddies making snuff films in
an old house.Contains surgery/disembowelment footage, a Deers foot
blowjob scene, and other disgusting bits n pieces!! This film still packs
a powerful punch today and is a real sicko. Directed by Victor Janos
(1977)
THE LAST HOUSE ON THE LEFT. This is the Wes
Craven/Sean Cunniham film about 2 young women who run in to a group of thugs
while enroute to a rock concert. The gang kidnap the girls and subject them to
all sorts of abuse. They are forced to have sex with each other, one of the
girls is forced to pee on herself, and then they are brutally killed and left
in the woods. Later on, the group stumble on to one of the girls parents
home where the parents gets their revenge! A really disturbing film. The UK
video release deleted a sequence providing several minutes of light relief. It
has since been screened at London's National Film Theatre as Krug and
Co.

LET SLEEPING CORPSES LIE aka BREAKFAST AT THE MANCHESTER
MORGUE or DON'T OPEN THE WINDOW. A device that is supposed to aid farmers has
an unexpected side effect. Sonic waves produced by the experimental farm
equipment cause the dead to raise and they hunger for human flesh!. A
entertaining subplot has Lovelock, a hippie, being harassed and accused of all
the flesh-eating murders by a police detective, Kennedy, doing an over-the-top
Irish brogue. One of the best zombie films ever to come out of Italy. Starring
Raymond Lovelock, Christina Galbo, Arthur Kennedy.F/x by Gianetto DerRossi who
did the F/X for ZOMBIE! Directed by Jorge Grau. (1974)
THE LORELEY'S GRASP aka WHEN THE SCREAMING
STOPS. Lorelei is a siren living in a gothic cave near the Rhine River, who
occasionally turns into a scaly lizard monster and proceeds to rip the hearts
out of female students at a local boarding school to prolong her own survival.
This unhealthy practice must be stopped and the school hire a hunter to put an
end to the deadly she-beast. This one also has some good atmosphere and gory
deaths.
LIZARD IN A WOMANS SKIN. This cult
classic, released in the U.S. as Schizoid, is a
psychodrama-murder-mystery-thriller involving LSD, psychoanalysis, lesbianism,
and one extremely gory dream sequence which involves eviscerated dogs. Director
Lucio Fulci was forced to prove in court that the dogs in question were
fabricated and not real. Florinda Bolkan stars as the woman who has morbid
dreams and fantasies of grisly murders and deaths that become reality. Stanley
Baker is the unlucky police inspector who has to separate what is fact from
fantasy. (1971)
MADHOUSE aka THERE WAS A LITTLE GIRL. This violent horror film
centers around a woman who begins to have visions of a twin sister she has
never met. The mythical sibling turns out to be real, and after escaping from a
mental institution, terrorizes the woman's birthday party. Starring Trish
Everly, Michael Macrae, Dennis Robertson, Morgan Hart, and Allison Biggers.
Directed by Ovidio G. Assonitis (1981)
THE MAN FROM DEEP RIVER aka DEEP RIVER
SAVAGES.This was one of the first cannibal films to show brutal acts of
cannibalism. Directed by Umberto Lenzi the plot deals with a photographer who
gets lost in the jungles of Thailand and is captured by bloodthirsty cannibals.
He is forced to live among them and later marries the chiefs daughter.
(1972)
MARTIN, One of George Romero's best films,
a disturbed young boy with an appetite for blood is believed by his elderly
cousin to be a vampire. Beautifully surreal with hypnotic flashback sequences.
Romero and his wife play bit parts as does Tom Savini who provides the FX.
(1976)
MOUNTAIN OF THE CANNIBAL GOD aka SLAVE
OF THE CANNIBAL GOD. Susan Stevenson and her brother fly to the "haunted "
island of Ricca in New Guinea, and search for her husband who disappeared in
the jungle. They stumble upon his remains and discover they have walked into a
tribe of hungry cannibals who like their women naked. Starring Ursula Andress,
Claudio Cassinelli and Stacy Keach in this jungle adventure directed by Sergio
Martino. (1978)
| ACTORS | CANNIBAL | DIRECTORS | FRANKENSTEIN | GOREZONE |
|---|---|---|---|---|
| HAMMER | HAUNTINGS
& POSSESSION |
MADMEN
& PSYCHOPATHS |
MUMMIES | SILENTS |
| VAMPIRES | WEREWOLVES | WITCHES & WARLOCKS |
ZOMBIES |
GOREZONE A-E
GOREZONE N-R